More Than A Woman: Promotional

 

 

 

MTAW Front Cover For Promotions

For the consideration of theatre companies and producers.

MORE THAN A WOMAN : A Play By RUSSELL LINEY

“An actor is something less than a man; an actress is more than a woman.”
MTAW Back Cover Final Doc
The play was first performed by L U Theatre (Leicester University Theatre) on June 18, 19 & 20, 2015 in a basic drafted version and the four cabaret style songs were omitted.
The performance of June 20 was recorded and is presented here. Duration 1 hour 20 minutes.
Please click on the link to view MORE THAN A WOMAN
The complete cast list and production details are available to view in the file provided here. Cast List and Technical Team
Read writer, reviewer and editor Jo Sennitt’s enthusiastic review of More Than A Woman. Click on the link provided here. MTAW Review

 

 

 

 


SYNOPSIS

1949 Film actress BETTE DAVIS is taking a solitary walk around the deserted exterior film set of her recently completed picture BEYOND THE FOREST. It is the last film she will make at the WARNER BROS studio for the present as her contract has just expired and she has decided to move on to seek work with a different film studio.

Prior to this Bette began her career at Warner Bros appearing in mediocre pictures and had it not been for the fact that she was a headstrong and determined person she might have remained a relative unknown, still making bad pictures. While walking she is distracted by a man, younger than herself who has been observing her.

He is RAMON GABRIELLI (commonly known as BUD), a contract lighting technician at the studio. They aren’t strangers. He has worked on some of Bette’s more recent films. He is a laconic ROBERT MITCHUM type; more of a listener than a talker but on seeing Bette’s distressed and drunken state he sets about trying to draw her out and boost her flagging confidence. A conversation ensues during which they reminisce about aspects of their personal and professional lives.

As Bette’s story unfolds we discover that she was a suffragette of the cinema, campaigning for better roles for film actresses in general as well as for herself; if this couldn’t be achieved by negotiation she did it through acrimonious battles with studio head JACK WARNER. She is revealed to be an emotionally complex woman; respected by those she worked closely with because of her dedication to her craft and for her honesty.

Bud reveals to Bette details of his hitherto private personal life. They smoke and share a couple of bottles of Scotch whiskey. As their talk becomes candid and personal it is inter-cut with scenes and flash-backs from their lives and careers. Throughout the play there are a small number of songs performed by Bette and Bud in a basic cabaret style which highlight their feelings and memories. The play is essentially a dramatic comedy and is not a musical. The inclusion of songs is a device which serves to highlight aspects of loneliness in their separate stories.

ALL TEXT COPYRIGHT © RUSSELL LINEY 2019

AUDIO-VISUAL CONTENT COPYRIGHT © RUSSELL LINEY & L U THEATRE 2015

For further information about the play or to request the right to perform it please contact russ.liney@gmail.com

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